FLABBY DAGGER #6 SEX ISSUE LAUNCH
Flabby Dagger Sex Issue will be launching on the evening of Friday, 7 March.
The zine is the creation of illustrators Russell Taysom and Charlie Mellors. An exploration of their love of underground comix and illustration, they asked a variety of their favourite artists to think about sex… with predictably disgusting results.
The sixth issue has been sordidly Risograph printed by Ditto Press with comics and drawings from artists including:
have a think, see what you think, let me know what you think
have a think, see what you think, let me know what you think is a combination of William Edmond’s poetry, prose and illustrations, presented in a large folio style format. With hand drawn covers, loose pages, colourful inserts and bound only by an elastic strap, this is a book to be explored and played with, to be arranged and rearranged! Uncover mixed up narratives, use pages as posters, or simply lay the book flat and read it like a newspaper. Free flowing verse chasing good vibes and (surreal) day dreams.
Performance at 8.00 pm. Cakes and plant raffle throughout the evening!Read More
THE ELDER by Esther McManus Launch
Join us at Ti Pi Tin on Thursday, 30 January to celebrate the launch of Esther McManus‘ new comic The Elder.
The Elder tells the story of an ancient forest dweller, and her fear of an encroaching community who she fears will alter her way of life. Predominantly wordless, The Elder explores the feeling of vulnerability, the tragedy of misunderstandings and the fear of change. The book is 2-colour riso throughout, with a screenprinted gatefold cover. Printed at Ditto Press and published by Æ Folklore.
Something of a labour of love, it would be great to see and thank in person everyone who helped to make it possible – you are considerable in number and magnificence.Read More
folio issue two launch event
We’d love to invite you to the launch of folio issue two. folio is an independent art publication which seeks to operate as an exhibition space on paper, presenting the work of several artists per issue. The magazine offers a platform for three-dimensional, time-based and de-materialised work to be realised on the flat page. We work with a different guest editor in each issue to bring in influences from other disciplines, including music, architecture and writing.
The guest editor and designer of this issue is Antwerp based Ward Heirwegh. folio issue two artists are: Phil Baber, Kit Craig, Zoe Giabouldaki and Melike Kara.
The issue is based around Samuel Beckett’s short play Come and Go.
Regular copies come with A2 insert posters by either Kit Craig or Melike Kara. There’s also a limited edition of 20 copies featuring specially commissioned artwork by Kit Craig and both artists’ posters.
Regular copies: special launch price of £7.00 (normally £9.00).
As well as folio, we will also present Cannon Magazine by Phil Baber.Read More
Join us this Saturday for the launch of PAGe and a series of performances with Maxine Ma’atSankofa, JongSun Woo, Noa Shiff and Francesca Baglietto.
Traslochi Emotivi is an independent production house founded by Giulia Curra in 2010. Spreading through publications and galleries as a nomadic and viral form of art, it unfolds narratives from the occurrence of ‘happy coincidences’ which connect actions and thoughts.
Among the projects already completed by Traslochi Emotivi are: Di Madre in figli in 2010 with the curator Marina Wallace, Kabul-Roma Roma-Kabul with Salman Ali about the story of Alighiero Boetti, InSieMe for Fondazione Remotti, SHAKE IT with the artist Aki Sasamoto presented to Bullet Space in New York, TO SUD EST summer residence with the artist Cecilie Skov in the Pasquale Leccese’s Masseria, The muse is exhausted – an homage to Marlene Dumas’s poem with Maxine Ma’atSankofa, Autofficina during the exhibition AUTORITRATTI at MAMBO, Museo d’Arte Contemporanea di Bologna, curated by Francesca Pasini, S-BALLO performance during the publishing exhibition Voglio fare subito un libro in the Gallery of Modern Art in Milan, TANDA for the show ARTRISSIMA curated by Chiara Guidi at ARTRA gallery in Milan, Progetto per Pomona. Che figata! during the Festival dei Sensi, in Puglia, a work in situ for the Conservatorio Botanico di Pomona.
PAGe, a double-page publication produced by Traslochi Emotivi, is a moving between people where the white space of a paper sheet becomes a dialogue between different artists and territories. Ti Pi Tin will present to the public all 9 issues published so far, host performances by contributors of the project and serve beverages from A Passo d’Uomo.
This Thursday [arthur-frank] are taking residency at Ti Pi Tin with the X|12 project for the first UK presentation of Skeletons in the Closet. So join us for a few drinks and the opportunity to browse through the book and a pop-up exhibition of 10 prints.
Skeletons in the Closet is Klaus Pichler’s collection of sometimes absurd sceneries and strange still lives, accompanied by written reflections on the bloody past of natural history museums. Unlikely arrangements are captured in Pichler’s behind-the-scenes tour of the Museum of Natural History in Vienna, culminating in a photobook which ranges from the ironic to absurd.
The Art Licks Weekend is a three-day event where young galleries, artist-run spaces and independent curatorial projects will be open to the public with special events and exhibitions of work by emerging artists. With 70 participating spaces showcasing over 250 artists, the Art Licks Weekend is a unique event that will encompass the most exciting artistic talent and innovative ideas in London. Ti Pi Tin will be hosting a series of activities organised by This Book reading group as a part of the festival.
Until I, I Know You Better
Until I… will enact both encounters with, and deviations from, Richard Sennett’s text Together. This Book aims to make reading and understanding a shared, social experience and has developed the project through a process of collective exploration.
The reading group views cooperation as the act of working together through a negotiation of content, space and commitment. Sennett writes that, ‘misunderstandings, separations, transitional objects and self-criticism…are tests of how we relate to other people’.
During Until I…, artworks, performances, screenings, readings, discussions and a growing visual glossary will unfold over three days to explore the weakening and strengthening of cooperation. This weekend is part of This Book’s ongoing investigation into ways of living and working together.
Until I, I Know You Better will include contributions from Aleph Trio, Chloe Cooper, Nisha Matthew, Amy McDonnell, Lucy Parker, Mónica Rivas Velásquez, Sian Robinson Davies, Katie Schwab and Jonathan Tibbs.
This Book was set up by curator Amy McDonnell and artists Katie Schwab and Mónica Rivas Velásquez in 2012 as a space in which to discuss, share and exchange ideas on fictional and non-fictional texts.
Thursday, 3 October
6.00 – 9.00 pm
7.30 – 9.00 pm
Saturday, 5 October
Sunday, 6 October
Æ Folklore Comics
Join us tonight at Ti Pi Tin for an evening of new comics and old favourites. Æ Folklore will be installing a mini zine library for one night only to celebrate a recent flurry of new releases of comics and prints. As well as bringing down their entire back catalogue of comics and zines, they will be launching four new publications (including two new issues of their comic saga, Mevlana of the Golden Age).
Æ Folklore is a small, independent press that produces hand-printed (and bound) comics, zines, and prints. Their work focuses on the mystical and the mythological, the overlap between fact and fiction, and draws on the stories and characters of folklore.
Ti Pi Tin will be relocating to the Copeland Book Market 2013 from Thursday 19 – Sunday 22 July, where we’ll be also hosting a book signing for Speaking of scars by Teresa Eng at 1.30pm on Saturday, 20 July.
Speaking of scars deals with trauma and memory. During a three-year period, photography was used to process an experience that couldn’t be processed. In the book memory takes the form of images, as it repeats and reconfigures itself around new and existing experiences.
Despite the fragile nature of the images, the book expresses its brutal subject in a delicate way as it explores the complexity of trauma. The details of banal life offer up a world where things once seemingly benign become menacing; yet beauty holds resonance.
Speaking of scars is an expression of the unspeakable, taking inconceivable events and transforming them into a visible language.
The book was shortlisted for the Les Rencontres Arles Prix du Livre 2013.